| Long story short, less than 100 years old. This piece was obviously made
to deceive. It fooled me completely. But it also serves as an example
to the art and capability of the fakers. I know it to be at least 50 years
old since there are notarized inventory papers listing it from the owner's
estate. If the fakers were this good 50 years ago, you can imagine how good
they are today.
Don't feel bad if you get fooled, we all take a loss now and then. It can
range from the fakers in the world of Chinese porcelain, right down to your
local auto mechanic.
TL testing is not available for the smaller, more fragile pieces, so naturally
the fakers focus in that area. Much safer for them. But you can still take
steps to avoid being cheated. I have a little trick I use that has helped
me a few times in the past to identify a fake that has been mass produced.
It involves computer graphics and allows you to take any image, be it from
the British Museum, or just eBay, and create a thumbprint. This can be compared
to another piece you think is a copy.
The fakers of today need to turn a quick profit, and that means setting up
mass production techniques for both the body and decoration of the pieces
they peddle. Over the years I've collected hundreds of images from museums
and private collections world wide. When I examine any new piece, I have
a good source of reference in these images, as well as my regular library
of books. I encourage the reader to do the same.
For an example of how useful graphics can be, just last week I noticed a
site offering some very authentic looking pieces for sale. They offered pieces
from all dynasties, so I zeroed in on their Yuan and Ming pieces. Something
caught my eye in the similarities between two Yuan dynasty blue and white
stem cups. The pieces were almost too good to be true in appearance.
The price on one was listed as $6,500.00 US dollars, the other was listed
as "Price on Request". I inquired and was immediately given a quote of $1,300.00
US dollars. Either of these (if authentic) would fetch about $500,000.00
US dollars at a Christie's or Sotheby's auction. This seemed a little suspicious
to me, so I decided to examine a little closer using my graphics thumbprint
method. Here's how I looked at them.
Using a good graphics program (like Paint Shop Pro), I created a sort of
thumbprint of the first stem cup. In this case, the inner bowl surface of
the stem cup's raised prunus decoration. It was the similarity of this
to the second cup's decoration that initially caught my eye. I then pinpointed
each of the blossoms by drawing a red dot as shown below.
Stem cup #1
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| Using the graphics selection option, I then selected only the 26 red
dots I created, copied and pasted them as a new image against a white background.
This new image, with the grid, now gave me a very precise map (or thumbprint)
to work with. |
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The next step was to take the second stem cup's image, and use the grid
option to map, rotate, and resize. When that was complete, I used the first
thumbprint to overlay onto the second cup's image. In this case it's a perfect
lineup, giving away the secret of them both coming from the same mold and
not an individually carved decoration as advertised.
The image below shows the lineup and comparison. Once I had the size and
rotation mapped out, I used yellow dots on the second stem cup . When positioning
the first stem cups thumbprint over it, you can see the exactness. Only a
slight view of the yellow shows since I created the yellow dots from scratch
on the second cup. |
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Stem cup #2
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I also did an overlay alignment with the diameter of both stem cups relative
to the thumbprint. Just further confirmation that the bowl portion
of both stem cups came from the same mold. The diameter of stem cup number
2 is a perfect circle, but the lip of stem cup number 1 was possibly ground
down in a few areas. Another inconsistency I noticed was in the decoration.
If this were done during the Yuan dynasty, the color (shade) of blue cobalt
would be identical since they would be from the same kiln, (confirmed by
the same mold), and quite possibly from the same firing. The exterior decoration
of each cup is indeed the correct shade of Mohammedan blue, but the
inside classic scroll on the 2nd stem cup is off just a bit, it seems
to have a slight shade of native cobalt instead. Though some discoloring
can occur in the same firing from different placement within the kiln, it
would affect the entire piece, not just the inner or outer decoration.
The press-mold technique for ceramics was used as early as the Song dynasty,
so it was in existence by the Yuan dynasty. This does not mean it was used
exclusively. Some raised (or recessed) decorations were individually carved
before firing, not just created by the press-mold technique. Yuan wares
are known for their individuality and free flowing design of both body and
decoration, not so much for the exactness of mass production. The same
applies to some early Ming wares. I just find it suspicious that two
cups from the same mold, having different shades of cobalt decoration are
being offered for sale by the same seller. Could there be a psychological
game with one showing the price of 6500 and the other as Price
on Request? Will nibbling at the Price on Request tell the seller
the prospective buyer has seen the almost identical 6500 dollar one,
surely they will jump at this one for 1300? There are many questions here.
Their site looked very professional and my inquiries were answered within
minutes, even offered items not listed on their site. Their policy section
only mentioned a 7-day return policy if not satisfied, but no criteria for
the return. When I inquired to my having Oxford Authentication run a test,
and how that would affect the return, the communication came to an abrupt
halt. About a week later I received a very short reply stating their items
were sold as is, in other words no refund if TL testing proved them fake.
This doesn't prove they are fakes, they could be authentic. The sellers may
be honest. There are just too many inconsistencies involved for me to feel
comfortable with them.
It's really getting impossible now to tell the authentic from the fake, and
the market has become saturated. You really have to be on your toes.
Back to Main Page
Update:
Someone challenged my eye on my 'thumbprint' theory. That's good, always
good to question things, leads to a better understanding. It occurred to
me that there is a better way to view the alignment than what is shown above.
The red dots are a little too large to show the exactness of the lineup.
I've created what I think is a better view using Java, so make sure you have
Java enabled, then click here to view it in
a better manner. If you are using a browser add-on that enables grab and
drag scrolling, temporarily disable that function.
I'm leaving this page as is, since some may not have Java capability.
JP |